Rookie cop Billy Costigan grew up in crime. That makes him the perfect mole, the man on the inside of the mob run by boss Frank Costello. It's his job to win Costello's trust and help his detective handlers bring Costello down. Meanwhile, detective Colin Sullivan has everyone's trust. No one suspects he's Costello's mole within the police department.

How these covert lives cross and collide is at the ferocious core of the Academy Award-winning The Departed. Martin Scorsese directs, guiding a cast for the ages in a visceral tale of crime and consequences. This is searing, can't-look-away filmmaking: like looking into the eyes of a con - or a cop - with a gun.

Academy Award Winner
- Best Picture Of 2006
- Best Director
- Best Adapted Screenplay
- Best Editing

This book brings together a selection of Kevin Corrigan's works published over the course of some 27 years. Its predominant theme is the encounter with otherness in ancient, medieval and modern thought and it ranges in scope from the Presocratics-through Plato, Aristotle, Plotinus and the late ancient period, on the one hand, and early Christian thought, especially Gregory of Nyssa, Augustine and, much later, Aquinas, on the other. Among the key questions examined are the relation between faith and reason; the nature of creation and insight, being and existence; literature, philosophy and the invention of the novel; personal, human and divine identity; the problem of evil (particularly here in Dostoevsky's adaptation of a Platonic perspective); the character of ideas themselves; women saints in the early Church; love of God and love of neighbor; the development of Christian Trinitarian thinking; the strange notion of philosophy as prayer; and the mind/soul-body relation.

Evagrius of Pontus and Gregory of Nyssa have either been overlooked by philosophers and theologians in modern times, or overshadowed by their prominent friend and brother (respectively), Gregory Nazianzus and Basil the Great. Yet they are major figures in the development of Christian thought in late antiquity and their works express a unique combination of desert and urban spiritualities in the lived and somewhat turbulent experience of an entire age. They also provide a significant link between the great ancient thinkers of the past - Plato, Aristotle, the Stoics, Clement and others - and the birth and transmission of the early Medieval period - associated with Boethius, Cassian and Augustine. This book makes accessible, to a wide audience, the thought of Evagrius and Gregory on the mind, soul and body, in the context of ancient philosophy/theology and the Cappadocians generally. Corrigan argues that in these two figures we witness the birth of new forms of thought and science. Evagrius and Gregory are no mere receivers of a monolithic pagan and Christian tradition, but innovative, critical interpreters of the range and limits of cognitive psychology, the soul-body relation, reflexive self-knowledge, personal and human identity and the soul's practical relation to goodness in the context of human experience and divine self-disclosure. This book provides a critical evaluation of their thought on these major issues and argues that in Evagrius and Gregory we see the important integration of many different concerns that later Christian thought was not always able to balance including: mysticism, asceticism, cognitive science, philosophy, and theology.

Evagrius of Pontus and Gregory of Nyssa have either been overlooked by philosophers and theologians in modern times, or overshadowed by their prominent friend and brother (respectively), Gregory Nazianzus and Basil the Great. Yet they are major figures in the development of Christian thought in late antiquity and their works express a unique combination of desert and urban spiritualities in the lived and somewhat turbulent experience of an entire age. They also provide a significant link between the great ancient thinkers of the past - Plato, Aristotle, the Stoics, Clement and others - and the birth and transmission of the early Medieval period - associated with Boethius, Cassian and Augustine. This book makes accessible, to a wide audience, the thought of Evagrius and Gregory on the mind, soul and body, in the context of ancient philosophy/theology and the Cappadocians generally. Corrigan argues that in these two figures we witness the birth of new forms of thought and science. Evagrius and Gregory are no mere receivers of a monolithic pagan and Christian tradition, but innovative, critical interpreters of the range and limits of cognitive psychology, the soul-body relation, reflexive self-knowledge, personal and human identity and the soul's practical relation to goodness in the context of human experience and divine self-disclosure. This book provides a critical evaluation of their thought on these major issues and argues that in Evagrius and Gregory we see the important integration of many different concerns that later Christian thought was not always able to balance including: mysticism, asceticism, cognitive science, philosophy, and theology.

Comedy written by and starring Sacha Baron Cohen following the dedicated attempts of a dictator to stave off the terrible threat of democracy. Like all good dictators, General Admiral Aladeen (Cohen), the self-described 'Supreme Leader, All Triumphant General and Chief Opthalmologist of the People's Republic of Wadiya', understands that the people of his nation don't really know what they want - only he does. That's why democracy is such a terrible threat and why Aladeen must cast himself against it with as much vigour as he can muster. Unfortunately, in the form of ill-intentioned meddlers like the United States of America and the United Nations, Aladeen also faces external threats to his rule. The film follows him as he heads to a UN meeting in New York to defy his enemies and their muddled notions of 'rule by the people'.

Comedy starring Seth Rogen, who also wrote the screenplay in collaboration with Judd Apatow and Evan Goldberg. Dale Denton (Rogen) is a stoner with a mundane courthouse job that enables him to indulge his habit to his heart's content. He regularly visits his dealer, Saul Silver (James Franco), who has recently been supplying him with a rare new strain of weed called Pineapple Express. When Dale inadvertently becomes the sole witness of a murder by a bent cop and the city's most dangerous drug lord, he panics and leaves his Pineapple Express-filled joint at the crime scene. When he realises that the weed variety is so rare that it can be traced directly back to him and only him, he and Saul are forced to go on the run - if they can get it together, that is...

This book provides a practical reading guide to the thought of Plotinus, the great philosopher who was born in Alexandria in the third century a.d., lived in Rome and wrote in Greek. Deeply immersed in earlier Greek philosophy, especially Plato and Aristotle, Plotinus' thought was to have an immense influence upon the theology and philosophy of Christianity, Judaism, and Islam, as well as to bear a deep resonance with the major forms of Eastern mystical thought, particularly Buddhism and Hinduism. At the same time, Plotinus' philosophy remains unique in its own right. Corrigan's work presents, in an accessible and yet authoritative way, three treatises translated in full, as well as several other major passages representative of the wide range of thought to be found in Plotinus' Enneads. There is extensive and detailed commentary accompanying each translation, which helps the reader to work his or her way through Plotinus' often highly compressed thought. The concluding chapter draws together the practical and theoretical significance of Plotinus' writings and situates them in an accessible manner for both first-time reader and scholar alike within the subsequent vast history of Neoplatonism which extends through the Mediaeval and Renaissance worlds and right into modern times. This book is intended to be of use for anyone who wants to read and understand Plotinus, non-specialists and specialists, and it will be particularly helpful for students and scholars of philosophy, history of ideas, aesthetic theory, and literature and religious thought, both Western and Eastern.

In this book, Kevin Corrigan sheds light on aspects of Plato's thought that are less familiar to contemporary readers. He reveals a Plato who believes in Forms but is not essentialist, who develops a scientific view of perception in the middle and late dialogues, and who offers positive models of art and science. Corrigan shows how Plato articulates a broader view of intelligible reality in which embodiment is affirmative and the mind-soul-body continuum has an eidetic structure, and where even failure and the imperfect are included. He also demonstrates that Plato developed an ideal, yet finely layered view of love that provided a practical guide throughout antiquity; and that the dialogues and unwritten teachings can be understood in a mutually open-ended, non-antagonistic way. Corrigan's book provides a guide to Plato in an unexpected key and poses important questions regarding imagination, divine inspiration, and Forms and the Good, among other topics.

The Symposium is one of Plato's most accessible dialogues, an engrossing historical document as well as an entertaining literary masterpiece. By uncovering the structural design of the dialogue, Plato's Dialectic at Play aims at revealing a Plato for whom the dialogical form was not merely ornamentation or philosophical methodology but the essence of philosophical exploration: his dialectic is not only argument, it is also play.

Careful analysis of each layer of the text leads cumulatively to a picture of the dialogue's underlying structure, related to both argument and myth, and shows that a dynamic link exists between Diotima's higher mysteries and the organization of the dialogue as a whole. On this basis the authors argue that the Symposium, with its positive theory of art contained in the ascent to the Beautiful, may be viewed as a companion piece to the Republic, with its negative critique of the role of art in the context of the Good. Following Nietzsche's suggestion and applying criteria developed by Mikhail Bakhtin, they further argue for seeing the Symposium as the first novel.

The book concludes with a comprehensive reevaluation of the significance of the Symposium and its place in Plato's thought generally, touching on major issues in Platonic scholarship: the nature of art, the body-soul connection, the problem of identity, the relationship between mythos and logos, Platonic love, and the question of authorial writing and the vanishing signature of the absent Plato himself.

Ennead VI.8 gives us access to the living mind of a long dead sage as he tries to answer some of the most fundamental questions we in the modern world continue to ask: are we really free when most of the time we are overwhelmed by compulsions, addictions, and necessities, and how can we know that we are free? Can we trace this freedom through our own agency to the gods, to the Soul, Intellect, and the Good? How do we know that the world is meaningful and not simply the result of chance or randomness? Plotinus' On the Voluntary and on the Free Will of the One is a groundbreaking work that provides a new understanding of the importance and nature of free human agency. It articulates a creative idea of agency and radical freedom by showing how such terms as desire, will, self-dependence, and freedom in the human ethical sphere can be genuinely applied to Intellect and the One while preserving the radical inability of all metaphysical language to express anything about God or gods.

"Plato s "Parmenides" and Its Heritage" presents in two volumes ground-breaking results in the history of interpretation of Plato s "Parmenides," the culmination of six years of international collaboration by the SBL Annual Meeting seminar, Rethinking Plato s Parmenides and Its Platonic, Gnostic and Patristic Reception (2001 2007). The theme of Volume 1 is the dissolution of firm boundaries for thinking about the tradition of Parmenides interpretation from the Old Academy through Middle Platonism and Gnosticism. The volume suggests a radically different interpretation of the history of thought from Plato to Proclus than is customary by arguing against Proclus s generally accepted view that there was no metaphysical interpretation of the Parmenides before Plotinus in the third century C.E. Instead, this volume traces such metaphysical interpretations, first, to Speusippus and the early Platonic Academy; second, to the Platonism of the first and second centuries C.E. in figures like Moderatus and Numenius; third, to the emergence of an exegetical tradition that read Aristotle s categories in relation to the Parmenides; and, fourth, to important Middle Platonic figures and texts. The contributors to Volume 1 are Kevin Corrigan, Gerald Bechtle, Luc Brisson, John Dillon, Thomas Szlez k, Zlatko Ple e, Noel Hubler, John D. Turner, Johanna Brankaer, Volker Henning Drecoll, and Alain Lernould.